Performance

Most computer generated music is created in a constructive non-realtime fashion and not by playing any instrument. Performance of such music needs special concepts. (See also this essay of mine here: Live Performance in the Age of Super Computers). I provide the audience with an experience it cannot get at home by using multiple channels of audio which places the listener in a field of sound that is much bigger than the physical room defined by the speakers and the walls. I develop my own tools for performance, such as the Monodeck II or self-written software, including Ableton Live which enables me to react to the audience, and to shape and actually play the music in a concert situation. I explore acousmatic concepts, ambisonics, and wave field synthesis for diffusion of sound in space.